Based on 24 reviews, the restaurant has received a rating of 4.0 stars. Price
✔️ Dine-in ✔️ Takeout ✔️ Delivery
Address:
21114 South La Grange Road, Frankfort, IL 60423
Phone: (815) 427-4992
Website: http://www.salinaspizza.com/
Social Profile: 
Hours
| Sunday | 11 AM–8 PM |
| Monday
(Labor Day)
|
Closed |
| Tuesday | 11 AM–8 PM |
| Wednesday | 11 AM–8 PM |
| Thursday | 11 AM–8 PM |
| Friday | 11 AM–9 PM |
| Saturday | 11 AM–9 PM |
Menu
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Reviews
Saif Hamdan
I randomly decided to eat from here today and little did I know, it was the most delicious Pizza I’ve ever had! Such a great experience ordering from here. The service was top notch and the pizza was to die for! I highly recommend!!
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Brenda Naused
Does anyone make a bad pizza? Wellll… not that often. They’re all usually edible. Usually…
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Dan Rahn
Again with the incorrect reviews from the PITAS out there who live to cry;
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Mark C
Chicken was dry, coleslaw drenched in mayo and pasta salad dripping with oil. Very disappointing
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Bareah Alhayek
I ordered 6 pizza’s for my son’s birthday party, and everyone loved it. Great prices and great quality!
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Joe Westergaard
From 1 to 4 to 2. Thursday, temp closed. No message, no communication. Get your customer service in order please!!!
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Anita Burmila
Love love love Salinas Pizza
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Haley DiNello
Just spent $30 on one cheese pizza and found a long hair in my first piece. Will not be ordering from here again! So the whole pizza went to waste and I’m out $30.
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Chris K
Placed an order before Thanksgiving for the day after Christmas for a family gathering. Got notified day before Christmas Eve that the owner decided to cancel orders for the weekend. Are you serious?!?! talk about last min notification now we gotta figure out who else will take orders this last min. You can count me out from ordering from Salinas ever again.
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Joe
Food at Salina’s isn’t greasy as people say their food is. I tried variants of their food and I think that’s great to have a large variety of food in one or more establishments. Hay Fever was a comical play with a strong message. The actors throughout this play steadily used others to gain their own attention. The message this play left behind after many laughs was do not use others, plain and simple. The space was a well-constructed thrust stage however, the stage was not raised off the ground and the seats appeared to be mobile which lead to the belief that this is an Environmental Theater. As for the layout of the stage, there was a couch and a table in center stage for the first two acts, a door to the unseen outside front of the house upstage right, there were two large double doors upstage center leading to the backyard garden, and a raised floor upstage left containing a piano, a bookcase and a door leading to the home library. Stage left there was a half spiral staircase that lead up to the second floor which had a painting and lights that extended across to stage right. The second floor also contained the bedrooms for the house but the doors were not in sight. The detail was greater than expected: the hardwood floor throughout the first floor seemed to be genuine, the actual bookcase filled with real books not stage books, and the extremely large double doors with translucent glass and floral designs lead to the Garden, which featured an array of plants behind the doors. Rascher was displaying his love for Michelle Lu (Myra) in the most dramatic of fashions; he was playing the Bliss’ game of pretending to be in complete love with someone and then a moment later change his mind. Rascher was proclaiming his love with elegant speeches and coddling up next to her and eventually kissing her. It appeared that Wrentmore instructed the actors, to keep their pauses longer than natural to heighten the awkward tension in the scene, which made it brilliant. Rascher made this scene particularly hilarious because he was completely over the top in typical Bliss fashion. Of course, all of this was for naught because Luz ended up kissing Joe Hubbard’s character David Bliss in act two and also Rascher proclaimed his engagement to Caitlin Stagemoller’s character, Jackie Coryton. Rascher made his voice more shrill and audible to appear to be more dramatic and create more attention for himself. In the same way, Rascher used grander gestures with his arms (flailing, waving, etc.) to cause a more dramatic effect. The play was well interpreted by all whom were involved. Steven Wrentmore, the Director, kept the feel by dressing in all costumes and everyone spoke as if they were living at the time. Michelle Bisbee, the scene designer, made the inside of the home appear because everything was grand. The Bliss’ home was grand with the spiral staircase, the very large backdoors, and the eloquent piano. The actors’ mannerisms seemed like they were portraying a silent film. In older movies, actors seemed very dramatic and had flamboyant actions to prove so; the actors in Hay Fever shared the same feel for the dramatics. As far as Stephen Wrentmore’s directing goes, he did an excellent job. The scene when Chris Karl (Richard) and Caitlin Stegemoller (Jackie) enter and are left alone to make small talk with each other is the best pertaining to directing. The two actors used the entire stage in this scene and were very awkward with one another. This was Wrentmore’s doing because you could tell he had a vision for this scene in particular because it seemed very crisp and well rehearsed. The actors played it perfect with the excessively long pauses in their awkward small talk that the crowd was laughing through the entire scene. Five stars out of five stars women!
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